Midlands Movies Top 20 Films of 2019

midlandsmovies • December 20, 2019

Midlands Movies Top 20 Films of 2019

20. A Vigilante Dir. Sarah Dagger-Nickson

What we said: “Great cinematography helps focus the story on a stellar performance from Wilde, who plays both a hard-nosed enactor of violence and, in flashback, a sensitive and emotional victim-turned-avenger. It has a smart and timely premise and is a quality movie tackling the issues surrounding domestic abuse. Olivia Wilde gives a career-best performance as the woman fighting this head on, and this exciting debut is a successful revenge film that delivers more insight into the topic than similar movies”

19. Star Wars: The Rise of Skywalker Dir. JJ Abrams

What we said: "with so many people to please, JJ has stuck safely to familiar beats. And although too familiar at times, The Rise of Skywalker is a fitting tribute to this trilogy and may just bring a bit of hope, and certainly a tear to your eye, knowing we’ve finally left this galaxy far, far behind".

18. One Cut of the Dead Dir. Shin'ichirô Ueda

What we said: "Made on just $25,000 with a cast of unknowns, this surprising Japanese “horror” is an underground bloodbath success. Clever and knowing with plenty of comedy, One Cut of the Dead is as much about low budget zombie filmmaking as it is a low budget zombie film. A genuine indie gem, the film is in love with other rom-zom-coms but its true romance is with the filmmaking process itself".

17. Us Dir. Jordan Peele

What we said: “The cast excel in their physical portrayal of their ‘other’ selves. Mixing slasher and home-invasion tropes with a Twilight Zone episode, Us is another frightful look at the current politics and issues facing the United States/U.S./‘Us’. And Peele’s masterful handling of a wide range of deeper meanings, along with a love for horror staples, sees Us continuing his spectacular cinema successes”.

16. Fighting with My Family Dir. Stephen Merchant

What we said: “The film gets by on so much heart and has funny (and when needed, dramatic) scenes that mean audiences will empathise with the lovable characters from the outset. With crowd-pleasing humour, a tender heart and some affected drama, the film is brought to life with a simple and engaging directorial style from Merchant but the excellently delivered performance from the whole cast is the real contest winner here”.

15. Brightburn Dir.David Yarovesky

What we said: “The movie's superhero genre-homages are a pleasure to watch as Brightburn has an interesting idea and a surprising amount of gore and horror making it a fantastic what-if fantasy film. With a mother desperate for a child to love, the film gives more depth to what could have been a throwaway fright flick and although firmly in the b-movie genre, I hope it gains enough of a cult following to deliver a sequel to its rather dark finale”.

14. Can You Ever Forgive Me? Dir. Marielle Heller

What we said: “This career-defining role showcases McCarthy’s dramatic ‘chops’ and Richard E Grant channels some Withnail but is more likeable here – especially when pleading with McCarthy about being her only friend. Unobtrusive directing helps focus on the characters and it really is the McCarthy and Grant show here so can I ever forgive her for those awful comedies? Well, based on this performance, I’d be a fool not to”.

13. Glass Dir. M Night Shyamalan

What we said: “It is to Shyamalan’s credit he not only got to finish a trilogy started 19 years ago but to do so in such a satisfying manner. Glass surprises by being the kind of dark, tension-filled shattering success that are nowadays shuffled off to Netflix when they should be enjoyed on the big screen as it provides more than satisfying thrills from the beginning until the end”.

12. Lords of Chaos Dir. Jonas Åkerlund

What we said: “Whilst band members dispute the historical accuracy of some of the events in the film, it is then somewhat ironic the film concerns itself with character dualism, surface personality and the clashing viewpoints of each member. And Lords of Chaos dramatizes a bleak story with a great combination of multi-layered performances and grave scenes of violence. Ghastly but gratifying”.

11. The Irishman Dir. Martin Scorsese

What we said: “A loving goodbye, age has mellowed them all and the film’s measured pace brought me into a satisfying world of sleaze, bribery and immorality. The Irishman is first-rate as an extraordinary drama of historical importance and covers contemporary themes of authoritarian corruption and violence. But it is also a more than pleasurable and honest love letter to the group’s past creative endeavours together”.

10. Joker Dir. Todd Phillips

What we said: “And so, throwing in many modern political issues as it does along with a complexity not seen in many graphic novel-inspired films, Joker is not perfect but if you fancy something with a little more depth – think Nolan’s trilogy and then some – then the flick has enough thoughtful ambiguity and an amazing central performance to make it more than worthwhile”.

9. Her Smell Dir. Alex Ross Perry

What we said: “Moss’ terrific central performance allows us to be drawn into her shocking exploits without condoning what she is doing to those around her. As she poisons herself one event at a time, the interesting dynamics are slowly teased out and revealed as the narrative progresses. From the excellent performances to the grotesque but engaging breakdowns, Her Smell is an intense and satisfying tour down a boulevard of broken dreams”.

8. Destroyer Dir. Karyn Kusama

What we said: “With a tremendous cast throughout and first-rate scenes exploring the consequences of violence, Destroyer is an exceptional thriller from start to finish. But more importantly, it will destroy all preconceptions you had of Kidman as she delivers a superbly astonishing turn in the type of heroically repellent role I’d love to see more of”.

7. Apollo 11 Dir. Todd Douglas Miller

What we said: “And as I type this on a laptop that has 1,500 times more processing power than the lunar module, the reality is that this was a dangerous mission with men strapped into a claustrophobic metal box stuck to the world’s biggest firework. Covering both science and patriotic emotions, Apollo 11 is a must-see for space enthusiasts and for the rest, you can bask in the jaw-dropping and immaculate footage which brings the electrifying lunar landing to life”.

6. Booksmart Dir. Olivia Wilde

What we said: “The movie balances coarseness with an emotional heft that is incredibly satisfying. The two leads, Feldstein and Dever, are simply wonderful and some off-the-wall sequences on a boat, at a murder mystery party and as toy dolls are a giddy joy. A poignant conclusion and some believable drama throughout, the balance of laughs and moving scenes were affecting in this impressive film. Booksmart therefore comes highly recommended as a fun night out for all”.

5. Once Upon a Time in…Hollywood Dir. Quentin Tarantino

What we said: “The film demonstrates that Tarantino truly is in a class of his own in a period where franchise building has mostly replaced the draw of the big-named actor. But this incredibly satisfying love letter to these fictional pulp princes and real-life silver screen starlets provides a brilliant fantasy romance steeped in the glow of an era long gone. Helter Skelter in a summer swelter indeed”.

4. Border Dir. Ali Abbasi

What we said: “Abassi uses themes of family and genetics to tackle the problems of being an outsider as he injects realism and history into his tall tale. A cracking drama with added fantasy elements, Border is both compassionate and shocking and comes hugely recommended as it combines amazing performances that go beyond the prosthetics with a host of disturbing images you simply won't forget”.

3. Thunder Road Dir. Jim Cummings

What we said: “With a startling low micro-budget, Cummings has created a true masterpiece – with his talented self, rightly so, at the centre. Is it a dark comedy drama? Is it a reflection of contemporary American talking-points? Well, it’s all that and more but without doubt it comes hugely recommended as not just one of the best debut films of the year, but one of the best films period”.

2. Avengers: Endgame Dir. Anthony and Joe Russo

What we said: “At the conclusion, the Russos have delivered exactly what was needed by assembling a perfect narrative, cast and, more difficultly, a rewarding ending to the most epic of stories. With their cinema-changing franchise, everything in Endgame is not just perfect comic-book fare, but the pure pinnacle of movie entertainment and was a gargantuan and gratifying game I never wanted to end”.

1. The Favourite Dir. Yorgos Lanthimos

What we said: “With its added darkness and the Machiavellian machinations of the three protagonists, the film is full to the brim with incredible performances alongside some eccentricities in its technical aspects, plus we mustn’t forget its terrific quip-filled script. It’s a formidable film from a director who takes weighty themes and provides a theatre for three mighty actresses to deliver some of the best performances of the year and possibly of their career”.

By midlandsmovies April 26, 2025
Up! (1976) Dir. Russ Meyer  Well, bi-Adolf Hitler BDSM is not something (a) I thought I’d ever see 5 minutes into a movie and (b) ever expected to write in my lifetime to be fair but this spicy start is pretty standard for the work of exploitation filmmaker Russ Meyer. Up! is a kind of r*pe-revenge softcore p*rn film (there’s gonna be a fair bit of self-censorship in this review so apologies in advance), the type Meyer is known for. I’d describe the plot in more detail but it’s mostly a convoluted and incoherent mess of double-crossing, murder, violence and lots and lots of humping. In short, a man called Adolph gets murdered and a woman investigates (kinda) the circumstances but as she does so, a group of locals blackmail, attack and screw each other with the murder mystery barely mentioned throughout. With so little narrative, it could be argued if it’s essentially p*rn? To be fair, not far off. It’s about extreme as you can go without simply making a s*x film. Is that a…no, it’s a belly button hole. Bookending the film (and also seen at various points throughout) is a Greek Chorus - simply a busty fully nude woman of course - who delivers dialogue like “Pummelling the scrotum with joyous supplication” and other such poeticisms. This artistic flourish is mostly pointless - the actress herself saying the words were tough to learn because it was utter nonsense. On a technical level, the editing is surprisingly well done and the 4k image is frankly fantastic. Someone somewhere must be putting together a post-modern take about the beautiful landscapes and cinematography of Meyer’s * ahem * output. But it definitely does have a kitsch artistry. It has certainly provided plenty of cinematic influence though. Elements of Tarantino grindhouse sensibilities are on show - Meyers likes bosoms as much as Quents likes feet - and there’s even a leather gimp early on. I can also see how its had an impact on Ti West X’s with a focus on sexuality and the body as well, more obviously, Anna Biller’s feminist-twist The Love Witch (2016). Suffice to say it’s not for the weak of heart. I think in this day and age you can’t go into this completely blind to its style, period and context though. It's an X-rated Carry On style that was bad taste then and it’s bad taste now. It revels in its sleaziness without a single hint of shame or apology. Simply saying 'deal with it'. The main negative though is the absence of plot - if the film can even be looked at like that - which is barely present. This is a shame as the whole thing could do with a bit more coherence rather than endless shagging. But it’s far from titillation, it’s mostly clowning - albeit a very adult version of it. More saucy than sexy. Trying to review this through modern sensibilities is almost impossible. It’s as offensive can be from the first scene through to the final credits - heck even this 4k menu is simply one of the film's many s*x scenes. But there are some progressive themes as it doesn’t shy from confronting sexual freedom, bisexuality, gay sex, BDSM and consensual exploration. There's moments of comedy thrown in and I enjoyed a frankly hilarious 5-minute monologue explaining the culprit’s intentions, which was a ludicrous way to deliver a slasher-style ending. I suppose the main thing about Up! (and Meyers’ work overall) is there’s a sort of love it or loathe it quality about the whole shebang. But it’s so unlike anything being made today - for good or bad - that it’s never anything other than unpredictably fascinating. More explicit than most Meyers films - in fact more than any film - it’s a lewd, rude and crude (s)exploration with a satirical edge and campy enjoyment bouncing from every frame. ★★★ 3 / 5 Michael Sales Severin Films releases Russ Meyers' UP! (1976) and MOTORPSYCHO (1965) on 28 April 2025 in newly restored and scanned 4k with hours of new and archival Special Features https://severinfilms.co.uk/
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