Midlands Movies Awards 2023 Winners

midlandsmovies • June 11, 2023

Midlands Movies Awards 2023 Winners


On Saturday 10th June the Midlands Movies Awards 2023 ran at the Y Theatre in Leicester. The nominations for the awards can be found here and the winners are announced below:


Best Feature (Sponsored by Chromosphere Media)

Mind-Set by Mikey Murray


Best Short

Fancy A Redo by Gurjant Singh & Omar Parvaz 


Best Actor in a Leading Role

Theo Johnson for Just Two Drops


Best Actress in a Leading Role

Michelle Darkin Price for A Different Place


Best Actor in a Supporting Role

Jason Adam for Bluff


Best Actress in a Supporting Role

Georgia Neath for Dosed


Best Animated Film

Exhibit A by James Wilkinson


Best Costume & Makeup & Hairstyling

Iona Beresford for The Operator


Best Directing

James Cookson for Inside Turn


Best Documentary (Sponsored by Pinboard Media)

A Perfect Balance of Absolute Chaos by Carl Woods


Best Editing

Borja Torres Sanchez for Good Grief


Best Music (Score or song)

Devesh Sodha for Cosmo


Best Cinematography

James Millar for Kill List, A Shoe Town Story


Best Sound (Editing or Mixing)

Thurston Thompson for 2k5


Best Visual Effects

Dan Davison, Thomas Love, Jack Skelton, Aaron Good & Ben Collin for Future Soldier


Best Writing (Original/adapted)

James Cookson for Inside Turn

By midlandsmovies April 26, 2025
Up! (1976) Dir. Russ Meyer  Well, bi-Adolf Hitler BDSM is not something (a) I thought I’d ever see 5 minutes into a movie and (b) ever expected to write in my lifetime to be fair but this spicy start is pretty standard for the work of exploitation filmmaker Russ Meyer. Up! is a kind of r*pe-revenge softcore p*rn film (there’s gonna be a fair bit of self-censorship in this review so apologies in advance), the type Meyer is known for. I’d describe the plot in more detail but it’s mostly a convoluted and incoherent mess of double-crossing, murder, violence and lots and lots of humping. In short, a man called Adolph gets murdered and a woman investigates (kinda) the circumstances but as she does so, a group of locals blackmail, attack and screw each other with the murder mystery barely mentioned throughout. With so little narrative, it could be argued if it’s essentially p*rn? To be fair, not far off. It’s about extreme as you can go without simply making a s*x film. Is that a…no, it’s a belly button hole. Bookending the film (and also seen at various points throughout) is a Greek Chorus - simply a busty fully nude woman of course - who delivers dialogue like “Pummelling the scrotum with joyous supplication” and other such poeticisms. This artistic flourish is mostly pointless - the actress herself saying the words were tough to learn because it was utter nonsense. On a technical level, the editing is surprisingly well done and the 4k image is frankly fantastic. Someone somewhere must be putting together a post-modern take about the beautiful landscapes and cinematography of Meyer’s * ahem * output. But it definitely does have a kitsch artistry. It has certainly provided plenty of cinematic influence though. Elements of Tarantino grindhouse sensibilities are on show - Meyers likes bosoms as much as Quents likes feet - and there’s even a leather gimp early on. I can also see how its had an impact on Ti West X’s with a focus on sexuality and the body as well, more obviously, Anna Biller’s feminist-twist The Love Witch (2016). Suffice to say it’s not for the weak of heart. I think in this day and age you can’t go into this completely blind to its style, period and context though. It's an X-rated Carry On style that was bad taste then and it’s bad taste now. It revels in its sleaziness without a single hint of shame or apology. Simply saying 'deal with it'. The main negative though is the absence of plot - if the film can even be looked at like that - which is barely present. This is a shame as the whole thing could do with a bit more coherence rather than endless shagging. But it’s far from titillation, it’s mostly clowning - albeit a very adult version of it. More saucy than sexy. Trying to review this through modern sensibilities is almost impossible. It’s as offensive can be from the first scene through to the final credits - heck even this 4k menu is simply one of the film's many s*x scenes. But there are some progressive themes as it doesn’t shy from confronting sexual freedom, bisexuality, gay sex, BDSM and consensual exploration. There's moments of comedy thrown in and I enjoyed a frankly hilarious 5-minute monologue explaining the culprit’s intentions, which was a ludicrous way to deliver a slasher-style ending. I suppose the main thing about Up! (and Meyers’ work overall) is there’s a sort of love it or loathe it quality about the whole shebang. But it’s so unlike anything being made today - for good or bad - that it’s never anything other than unpredictably fascinating. More explicit than most Meyers films - in fact more than any film - it’s a lewd, rude and crude (s)exploration with a satirical edge and campy enjoyment bouncing from every frame. ★★★ 3 / 5 Michael Sales Severin Films releases Russ Meyers' UP! (1976) and MOTORPSYCHO (1965) on 28 April 2025 in newly restored and scanned 4k with hours of new and archival Special Features https://severinfilms.co.uk/
By midlandsmovies April 26, 2025
On the 24th of April, the Midlands Art Centre opened its doors to Gobby Flicks Productions for a night of live comedy. Proceeds were raised towards the production of new short comedy films, directed and written by women.
By midlandsmovies April 25, 2025
Ti West’s The House of the Devil makes a wonderful companion piece to his film The Innkeepers. Both maintain the director’s referential approach to horror, incapsulating it in a slow burning 90 minutes that manages to build and maintain tension while cheekily winking to the audience and showing the mechanisms behind the scares.
By midlandsmovies April 21, 2025
Read the full list of nominees for the Midlands Movies Awards 2025
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