Midlands Review of Asphyxiate
midlandsmovies • April 18, 2020
Midlands Review of Asphyxiate
Asphyxiate
Directed by Nicole Pott
2020
Sonder Pictures
A woman slowly descends into a bathtub in the dark opening that starts new drama Asphyxiate from Midlands director Nicole Pott.
Followed by a violently physical sexual assault scene, the director pulls no punches to draw you into a world of deception, love and passions.
The opening sequence is one of the best I’ve seen in a local short. David Fincher style blue lighting from cinematographer Hamish Saks and an amazing transition from above to below the bath water line was a stunning introduction.
We then arrive at a dinner date between Katie (Michaela Longden, who is also the writer of the short) and Tom (Anthony Quinlan). But their loving meet-up is punctuated by edits cutting back to a darker part of their relationship.
The man stands over the woman in a dangerous home scenario of threatening words and intimidating physical contact before we’re whisked back in time to a bar as the two friendly discuss love and life.
The contrast between the two situations, past and present, is a powerful structure showing how a bond between two people can turn into a degrading spiral of harassment and torment.
Forced apologies and psychological attempts to gain sympathy sit alongside flashback scenes that slowly reveal how the seeds of this controlling behaviour were sown.
The film continues to capture the traits of male perpetrators as Katie is pushed further into isolation and her communication monitored. It also shows how an unsafe environment is created over time. Ultimatums to end the relationship soon build and build and end in threats, bullying and finally physical harm.
Pott uses juxtaposition of the actors’ proximity, dialogue and visuals brilliantly to highlight these issues. And it makes the short an excellent exploration of very serious themes about losing oneself and drowning in verbal and intimidating attacks.
Asphyxiate is uncompromising in its representation of domestic violence. However, this is crucial to sufficiently highlight the awful situation far too many women can find themselves in. With spectacular cinematic style, the short comes highly recommended, as it looks at the catastrophic outcomes of a toxic relationship in an exceptionally well-crafted film.
Michael Sales
Midlands Movies Awards 2026 Winners On Saturday 27th June the Midlands Movies Awards 2026 took place at the Y Theatre in Leicester. The nominations for the awards can be found here and the winners are announced below: Best Short Film (joint winners chosen by VIP jury panel member RACHEL SHENTON) Quiet by Lily Portman Soul Trader by Geneviève Lowe Best Feature (sponsored by Chrome Video) The Correction Unit by Derry Shillitto Best Director Jonathan Hawes for Sorry We’re Closed Best Actress in a Leading Role Chloe Wade for How Long Best Actor in a Leading Role Joseph Emms for Lazar Best Actor in a Supporting Role Shaiek Ahmed Rana for Family Best Actress in a Supporting Role Tessa Wood for The Waterline Best Animated Film Statue in the Garden by Qianhui Yu Best Documentary Nothing's Impossible by Jacob Thomas McClean Best Visual & Special Effects Steve Askey and team for The Correction Unit Best Writing (Original or adapted screenplay) Tom Wallbanks and Grace Carter for Bob Best Costume & Makeup & Hairstyling Emily Laye, Mega Skillern and Millissa Morris for Soul Trader Best Music (Score or song) Kitty Harper for Ma Prison Best Sound (Editing or Mixing) Ethan Whyborn & Deepanjali Patel for Earworm Best Cinematography Ash Connaughton for Daniel’s Room Best Editing Samuel Moult for Mia, Alex and Dean Make A Movie
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