Open Up
Directed by Rob Gurney
2020
Digital Mechanic
Open Up is a new short film from first-time director Rob Gurney which follows an ancient vampire during the 2020 pandemic.
We are introduced to female vampire Tereni Fairuz in voiceover as she dresses herself in a leather outfit and dark make-up before a bombastic string score kicks in as the title appears.
“Do you know what lockdown means to a vampire?” she asks as she attacks a lonesome man at night in a flurry of anger and blood splatter.
Wiping her mouth of blood and leaving the victim’s body spent in the trash, our protagonist laments the current lockdown whilst also reminiscing over her experience of previous historical plagues.
The night-time photography is great with a clear, crisp and sharp image capturing the dazzling lights and shadowy alleys of (Leicester’s) city streets as our vampiress walks amongst the mostly empty roads and paths.
She is played well by the sultry alternative model Lady Viper, whose stage name could have been used without change here. However, the character’s name of Tereni Fairuz could also hint at darker symbolism with ‘teren’ sometimes meaning to rip apart or tear part of a creature’s body. Fairuz has its origins in Arabic as ‘victorious’, so both suitably apt for this vampiric fable.
One area of improvement could be the voice sound though. Some more dynamics or effects on the vocals (bit of delay, reverb or echo perhaps) could have added some much need depth and subtlety to the recording. With the dry delivery, the monologuing therefore at times feels a little flavourless and bland which could be fixed with another pass through ProTools.
Despite that, the film continues to explore some parallels with our current pandemic. “It’s only nature doing what nature does”, proclaims Tereni. And it’s a fact that diseases that plagued our past ancestors also played a part in the creation of myths like vampires too.
With a unique take on legends from an old world, the Covid metaphor spawns a number of ways to look at the untimely circumstances of the present-day world. And although it plays a bit like a showreel for both the star and the fantastic photography of the director, don’t keep your distance with this short.
Check out its infectious delights in a film that holds a gothic mirror up to our contemporary world to reflect our own dark anxieties.
Michael Sales