Review of Bad Boys for Life
midlandsmovies • May 7, 2020
Review of Bad Boys for Life
Bad Boys for Life (2020) Dir. Adil El Arbi & Bilall Fallah
17 years later and we’re back for a third outing with buddy-cop detective duo Will Smith as ladies-man Mike Lowrey and his family-orientated partner Martin Lawrence as Marcus Burnett. The two again banter and shoot their way out of a new case involving murder and money in Miami.
The story involves the widow of a kingpin who escapes from a prison and sends her son to the USA to recover hidden cash and take down Mike Lowrey. As Lawrence becomes a grandfather and (again) plans to leave the force, Mike is victim of a shooting. But when he returns to action, he vows revenge on the criminals who attacked him.
This well-worn narrative is simply the playground for shrewdly put together action sequences and the usual entertaining repartee from our leads. Mike reluctantly joins forces with a tactical team and a surprise death ramps up his intentions even more so.
Punch-ups, shoot outs and car-chases are all present and it all seems the stuff we’ve seen a million times before. Well it is. But somehow it mostly works. The two leads are still very likeable and although the comedy is too often the “we’re too old for this sh*t” type, there’s enough good humour, a smattering of solid drama and plenty of explosive action to enjoy.
In fact, there’s something very warm and familiar about popping back to characters we haven’t seen in over a decade. In many ways, the production delays help each film, as we drop in on the duo each decade. That way, there’s more story to tell, we grow with them and without over-egging it, it’s like visiting a distant family member.
All the pieces slot together in ways that are recognizable and obvious, but I can’t say I didn’t enjoy the familiar ride. In the end, Bad Boys for Life delivers the appropriate goods with a great thumping soundtrack.
And that was more enough to satisfy a re-visit to this established world that gets by on its enthusiastic and exciting energy.
★★★★
Michael Sales
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Our resident local film critic @_jacob.holmes headed off beyond the region's boundaries to the BFI London Film Festival. In our latest Midlands on the Move feature, Jacob shares some helpful hints for first timers, as he provides a guide for local filmmakers and film fans as to what to expect when visiting events further afield... In 2025 I had the honour of attending the 69 th BFI London Film Festival for a week, I attending premieres for some of my most anticipated films of the year. And even grabbed a press pass too. This wasn’t my first film festival, but this was my first London Film Fest and to be brutally honest, in the build-up, I was nervous! Sadly, I found the BFI and Accreditation websites not very intuitive and quite confusing. So this this article hopes to give some peace of mind and let people know what they can expect when attending such UK festivals - both as a regular guest and as press. Tickets Getting regular tickets can be stressful, akin to a big concert. And in a way it's like the Hunger Games, a survival of the fittest type of vibe. First off, BFI advertise tickets go on sale at 10am in September, which is true but not wholly accurate. Instead, at 9am you head to the website and get put in a waiting room with a random allocated number for when the actual sale start at 10am. At that time it tells you where you are in the queue. If you get lucky, you could wait 15 minutes, but often the wait can be an hour plus. Finally when you can make a purchase, you are let in and can put all tickets into your basket. I have two years of experience with this queue! The first time, I failed completely and all movies I wanted to see were sold out. But this year I had a plan! The key to success is knowledge to how to play the game. Tip 1: For the best possible chances, subscribe to the BFI and become a member. The year membership was £35 at its cheapest. And if you're in the Midlands like I am, outside the festival a membership can be fairly useless unless you go to London often. But what this membership gives you is important. A week before general release there is a presale for BFI members. Not only is this a benefit, it also gives you a crucial second chance. By that I mean if things don't go your way the first time, you can try again in the general sale. And I had to do exactly this. When general admissions came out, I tried again for tickets for Wake Up Dead Man and got my ticket! Tip 2: Quantity. There's nothing against the rules saying you can’t enter the queue on multiple devices! I was placed very low down in the queue in my first year on one laptop, but this year I used my phone, PC, laptop, my friend's laptops AND my friends' devices! But it all paid off. Devices can take 2 hours or only 30 minutes. More Devices = Higher chance of getting tickets. Tip 3: Know the films you want to see beforehand. If you don’t know what films you want to see or when they screen you will be completely lost. Write a timetable - and furthermore, have back up plans. Sometimes you'll click on what you want and it will be sold out, but having a backup plan will be much easier overall. Tip 4: Even if you don’t get tickets, it's not the end of the world. There are plenty of second-hand ticket websites selling tickets at normal (or sometimes cheaper) prices. Websites like Twickets, social media accounts like @LFFstubs on X or the r/londonfilmfestival on Reddit will have second-hand tickets. In fact, I sold one of my tickets on Twickets and had no complaints either. Press passes As you can imagine, this process is very different for industry passes. The biggest issue is tickets go on sale in waves each day. Instead of one go, pass holders book their tickets day by day. Tickets go on sale at 8am two days before, usually taking place on the accreditation app or website. In some ways this is easier, but it's also a gigantic pain. Although it's MUCH easier to get a ticket, do have to wake up every single day to go onto a laggy website and book a few tickets. You may even have to book tickets in the cinema. Another issue can be if you plan to see both general and press screenings. One you book way in advance, but press screenings are booked during the fest. Ticket prices for public screenings vary, but the gala/premiere screenings are usually £30-£40. Whilst the press screenings are completely free, you just have to pay for the pass itself which is around £55.